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Point Counter Point autorstwa Aldous Huxley
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Point Counter Point

autorstwa Aldous Huxley

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Wyświetlone 5 z 5
Found a copy of this book in a hotel in Luang Prabang on my birthday and read it while travelling through Laos, China and the Philippines. Wonderfully written, and one of the few books that I've read that's made me stop in wonder at how the author has articulated a feeling I've had but not known how to put in to words.
  samuelvictorwood | Mar 23, 2009 |
an incredible perspective novel that takes many characters living in the same place and shows how differently they view the world in only a manner Huxley can. issues from lust, succubus, communist clubs, murder, and being too smart for your own good all come up in this absolute classic. ( )
  TakeItOrLeaveIt | Feb 19, 2009 |
Bad people doing bad things, but in a very witty way. That is a brief, if incomplete, summary of Aldous Huxley's novel, Point Counter Point.
It is more broadly a "novel of ideas" with a novelist of ideas, Philip Quarles, at its center surrounded by friends and family whose lives are like those of the monsters that Philip writes about in his journal. Just as Philip decides to structure his novel on the contrapuntal techniques of music (think Bach and Beethoven) the novel Huxley has written is structured in the same way. We are presented with an opening overture of more than one-hundred-fifty pages at a dinner party that serves as an introduction to most of the characters. The remainder of the novel intersperses scenes from their lives, letters from lovers and most interesting, the writings of Philip Quarles, who with his wife spends most of the first half of the novel returning from India and who is the closest to a protagonist that we get. While there is a bit of a literary explosion near the end, this is more a novel of the daily lives of London sophisticates in the 1920s. It catalogues their alternately sordid and ludicrous (sometimes both) erotic adventures, which generally end unhappily.
I particularly enjoyed the wealth of references to literature and philosophy, Huxley's polymathic mind shows through on every page. Among the literary references was the use of Dickens in a way that captures one of his essential character traits, "the appearance of Dickensian young-girlishness" (p. 19). Overall, I found the play of wit and ideas compelling, enough to bear with the bad people and their antics. ( )
  jwhenderson | Oct 25, 2008 |
This is Aldous Huxley's greatest novel. Oh, yes, "Brave New World" is also a classic, and indispensible. But, qua novel, this is Huxley's best. It is occasionally very funny, intellectually challenging, and a tad depressing. Huxley's cynical wit is conjoined with his love of dialogue and repartee and philosophic banter, and then placed in an overarching story that satisfyingly reveals the lives of a handful of fasccinating characters, one of them based on Huxley's friend D.H. Lawrence. Very, very good; and highly under-rated. ( )
2 głosować wirkman | Mar 23, 2007 |
De 1928 é Contraponto, romance incomum, saudado e criticado no mundo literário da época, em que faz uma ousada elaboração formal ao construir um romance dentro de um romance e adaptar a estrutura na "Suíte Número 2 em Si Menor" de Bach à narrativa em palavras. Nele, Aldous denuncia o que acredita ser a impossibilidade do amor, da comunicação e da arte na sociedade excessivamente racionalizada, cheio de sofisticação e materializada da Inglaterra de entre-guerras. A intelectualidade britânica é mordaz e implacavelmente dissecada - Huxley está se colocando ao lado de James Joyce, Virgínia Woolf e D. H. Lawrance, inovadores que recusam criticamente a sociedade em que vivem. O misticismo e a angústia intelectual do pós-guerra estão sendo substituídos pela reação desesperada a um mundo cada vez mais tecnicista e impessoal, e Aldous, fustigando as injustiças e a hipocrisia, anseia pela volta do homem aos princípios básicos da sua natureza.
  patf4444 | Nov 6, 2005 |
Wyświetlone 5 z 5
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Amazon.com (ISBN 0099458195, Paperback)

When it was published in 1928, Point Counter Point no doubt shocked its readers with frank depictions of infidelity, sexuality, and the highbrow high jinks of Aldous Huxley's arty characters. What's truly remarkable, however, is how his novel continues to shock today. True, we may hardly lift an eyebrow at poor Marjorie Carling leaving her husband to live in sin with--and get pregnant by--her lover Walter Bidlake. And the sexual exploits of Lady Edward Tantamount or her daughter, Lucy, seem quite in keeping with the behavior expected of such exalted persons by readers inured to the exploits of the British Royals. If the varieties of sexual experience on display in Huxley's novel seem tame by current standards, his clear-eyed dissection of the motives behind them are thrillingly fresh--and his commentaries on everything from politics to ecology sometimes chillingly prescient. Take for example, the wisdom of amateur biologist Lord Edward Tantamount on the subject of non-renewable resources:
"No doubt," he said, "you think you can make good the loss with phosphate rocks. But what'll you do when the deposits are exhausted?" He poked Everard in the shirt front. "What then? Only two hundred years and they'll be finished. You think we're being progressive because we're living on our capital Phosphates, coal, petroleum, nitre--squander them all. That's your policy. And meanwhile you go round trying to make our flesh creep with talk about revolutions."
When his interlocutor, the fascist politician Everard Webley, demands to know whether Lord Edward wants a revolution, Tantamount first asks whether such an event would reduce the population and check production and then, when assured it would, he responds, "'Then certainly I want a revolution.' The Old Man thought in terms of geology and was not afraid of logical conclusions."

Huxley fills his novel with a multitude of characters, from the obscenely wealthy Tantamounts to the priapic painter John Bidlake, his children Walter and Elinor, and their respective mates, Marjorie Carling and Philip Quarles. There is also the venomous Maurice Spandrell, the revolutionary Illidge, the unctuous Burlap, and the happily married (a rarity in this novel) Mark and Mary Rampion, who are the book's moral center--theirs is the one relationship that combines reason and passion in proper measure. They are purportedly in part based on well-known figures of the time such as D.H. Lawrence and Katherine Mansfield. Love, loss, infidelity, and murder are the subjects under discussion as Huxley juxtaposes one point of view against its opposite, and mixes in a healthy dollop of science, politics, religion, and art, as well. Point Counter Point is an intelligent novel about the intellectual world, and one that bears up gracefully under the test of time. --Alix Wilber

(pobrane z Amazon Fri, 24 Apr 2009 07:57:51 -0400)

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